n/a; Lossless Digital). The album is dotted with surreal grace notes, like a parable: God appears in the guise of a homeless man in "How Much a Dollar Cost", and closer "Mortal Man" ends on a lengthy, unnerving fever-dream interview with the ghost of 2Pac. There’s half a jazz band present at all times; pianist Robert Glasper, producer/sax player Terrace Martin and bass wizard Thundercat give Butterfly a loose, fluid undertow every bit as tempestuous and unpredictable as the army of flows at Kendrick’s disposal. Browse ads now! Pitchfork is the most trusted voice in music. That's the kind of common ground that the best jazz and the best hip-hop have. To Pimp a Butterfly is as dark, intense, complicated, and violent as Picasso's Guernica, and should hold the same importance for its genre and the same beauty for its intended audience. The opener, "Wesley’s Theory", turns the downfall of action-star-turned-convicted-tax-dodger Wesley Snipes into a kind of Faustian parable. Upon release last autumn, the sunny soul pep talk came off lightweight and glib. Genres: Conscious Hip Hop, West Coast Hip Hop, Jazz Rap. Released 15 March 2015 on Top Dawg (catalog no. Despite all this, he’s still toying with a narrative on the sly: Just beneath the surface lies a messianic yarn about avoiding the wiles of a sultry girl named Lucy who’s secretly a physical manifestation of the devil. BEST OF THE 2000s Kid A by Radiohead. Rated #1 in the best albums of 2015, and #10 of all-time album.. Underneath the tragedy and adversity, To Pimp a Butterfly is a celebration of the audacity to wake up each morning to try to be better, knowing it could all end in a second, for no reason at all. Kendrick shouts over the crowd. Bestel jouw keuken achterwand bij Pimp Your Kitchen. To Pimp a Butterfly pivots on the polarizing lead single, "i". Keep up to date with all the latest Stories news, with exclusive features, stories, videos, and opinion pieces. To Pimp a Butterfly pivots on the polarizing lead single, "i". Lamar’s new album, To Pimp a Butterfly, doesn’t explicitly bill itself as a movie like good kid, m.A.A.d city did, but the network of interlocking dramas explored here feels filmic nonetheless, and a variety of characters appear across the album’s expanse. These G-funky moments are incredibly seductive, which helps usher the listener through the album's 80-minute runtime, plus its constant mutating (Pharrell productions, spoken word, soul power anthems, and sound collages all fly by, with few tracks ending as they began), much of it influenced, and sometimes assisted by, producer Flying Lotus and his frequent collaborator Thundercat. To push the point, the album opts for a live-sounding mix that ditches out midway through, giving way to a speech from the rapper himself. In both artists’ worlds, the stakes are unbearably high, the characters’ motives are unclear, and morality is knotty, but there is a central force you can feel steering every moment. Kendrick refuses to dole out blame without accepting any, however, and on the chaotic free jazz excursion "u" he turns a mirror on himself, screaming "Loving you is complicated!" To Pimp A Butterfly Medley (The Late Show with Stephen Colbert) by Kendrick Lamar (Ft. Anna Wise, Bilal & Thundercat) To Pimp a Butterfly Kendrick Lamar 1. Survivor's guilt, realizing one's destiny, and a Snoop Dogg performance of Doggystyle caliber are woven among it all; plus, highlights offer that Parliament-Funkadelic-styled subversion, as "The Blacker the Berry" ("The sweeter the juice") offers revolutionary slogans and dips for the hip. The music, meanwhile, follows a long line of genre-busting freakouts (The Roots’ Phrenology, Common’s Electric Circus, Q-Tip’s Kamaal the Abstract, André 3000’s The Love Below) in kicking at the confines of rap music presentation. In the category TS for Men Melbourne you can find 669 personals ads, e.g. "King Kunta" is a song by American hip hop recording artist Kendrick Lamar, taken from his third album, To Pimp a Butterfly (2015). : cross dresser, shemale or ladyboy. Kendrick’s principle of personal responsibility has treaded dangerously close to respectability politics lately, especially after a prickly remark about the Mike Brown shooting in a recent Billboard interview that seemed to pin the death on the victim, but To Pimp a Butterfly avoids that trap. Bruce Springsteen â Born to Run 22. This is an album about tiny quality of life improvements to be made in the face of seemingly insurmountable odds. Get your Stories fix with Mojo. The "Good and Bad Hair" musical routine from Lee’s 1988 feature School Daze depicted black women grappling with colorism and exclusionary standards of American beauty. As Bilal quips on the chorus to "Institutionalized": "Shit don’t change until you get up and wash your ass, nigga.". In tone, the speech is not unlike the legendary 1968 concert where James Brown waved off security and personally held off a Boston audience’s fury after news broke that Dr. Martin Luther King Jr. had been assassinated. In these moments, you could feel the director speaking to you directly through his characters and their trajectories. The Velvet Underground & Nico â ⦠When I first played some Coltrane-type stuff on the 'Pimp a Butterfly' sessions, Kendrick got it immediately. (Mostly.) "u" sounds like an MP3 collection deteriorating, while the broken beat of the brilliant "Momma" will challenge the listener's balance, and yet, Lamar is such a prodigiously talented and seductive artist, his wit, wisdom, and wordplay knock all these stray molecules into place. BEST OF THE 1980s Doolittle by Pixies. It might not be the message we want in a year where systemic police and judicial inequality have cost many the ultimate price, but that doesn’t bankrupt it of value. "It shouldn’t be shit for us to come out here and appreciate the little bit of life we got left." 'I want it to sound like it's on fire,' he'd say. It turns out Kendrick’s new direction was every direction at once. De mooiste keuken achterwanden bestel je bij Pimp Your Kitchen! Kendrick’s criticisms, as they did on good kid, come with powerful, self-imposed challenges. The rapper’s branching out, too, exploding into spastic slam poetry on "For Free? Mookie’s climactic window smash in 1989’s Do the Right Thing plunged its characters into fiery bedlam, quietly prophesying the coming L.A. riots in the process. The Notorious B.I.G. The sentiment is universal, but the viewpoint on his second LP is inner-city and African-American, as radio regulars like the Isley Brothers (sampled to perfection during the key track "I"), George Clinton (who helps make "Wesley's Theory" a cross between "Atomic Dog" and Dante's Inferno), and Dr. Dre (who literally phones his appearance in) put the listener in Lamar's era of Compton, just as well as Lou Reed took us to New York and Brecht took us to Weimar Republic Berlin. Snoop drops by on "Institutionalized"; Dre himself phones in on "Wesley". and thunders through a history of black oppression, spoken-word style, as if to say, "This money you crave, it’s blood money." "Complexion (A Zulu Love)" is a tender note of appreciation for women of all skin tones with help from North Carolina rapper Rapsody (whose slickly referential guest verse contains a nod to "Good and Bad Hair"). "How many niggas we done lost, bro?" Becoming an adult ultimately means accepting one's imperfections, unimportance, and mortality, but that doesn't mean we stop striving for the ideal, a search that's so at the center of our very being that our greatest works of art celebrate it, and often amplify it. Lamar’s records, while crowded with conflicting ideas and arguing voices, have a similar sense of a guiding hand at work. To Pimp a Butterfly, an Album by Kendrick Lamar. He's aware, as Bilal sings here, that "Shit don't change 'til you get up and wash your ass," and don't it feel good? Anguish and despair rightfully earn more Grammys, Emmys, Tonys, and Pulitzer Prizes than sweetness and light ever do, but West Coast rapper Kendrick Lamar is already on elevated masterwork number two, so expect his version of the sobering truth to sound like a party at points. â Ready to Die 23. Kamasi Washington (Interlude)" an impatient woman ticks off a laundry list of material demands before Kendrick snaps back that "This dick ain’t free!" BEST OF THE 1990s OK Computer by Radiohead. The dense and complex follow-up to good kid, m.A.A.d city is wry, theatrical, chaotic, ironic, and mournful, often all at once. Een bijzondere achterwand voor jouw keuken bestel je heel gemakkelijk in onze webshop. BEST OF THE 1970s The Dark Side Of The Moon by Pink Floyd. To Pimp a Butterfly is as dark, intense, complicated, and violent as Picasso's Guernica, and should hold the same importance for its genre and the same beauty for its intended audience. Upon release last autumn, the sunny soul pep talk came off lightweight and glib. Kendrick Lamar’s major-label albums play out like Spike Lee films in miniature. When it appears deep in the back end of Butterfly, though, "i" plays less like the jingle we heard last year and more like the beating heart of the matter. Kendrick Lamar â To Pimp a Butterfly 20. and suggesting his fame hasn’t helped his loved ones back home. BEST OF THE 1960s Abbey Road by ⦠19. To Pimp A Butterfly by Kendrick Lamar. Pimp-My-Profile.com provides thousands of images, codes and layouts for Facebook, Twitter, YouTube, MySpace and many other sites Met onze unieke collectie achterwanden maak je elke keuken bijzonder! ", switching from shouty gymnastics to drunken sobs on "u" and even effecting the lilt of a caring mother on "You Ain’t Gotta Lie (Momma Said)". Lamar co-wrote the song with Thundercat and Redfoo, while Terrace Martin, Michael Kuhle, and Sounwave served as producers. Free your mind, and your ass will follow, and at the end of this beautiful black berry, there's a miraculous "talk" between Kendrick and the legendary 2Pac, as the brutalist trailblazer mentors this profound populist. The mood is wry, theatrical, chaotic, ironic, and mournful, often all at once: On "For Free? Radiohead â Kid A 21. It was released as the album's third single on March 24, 2015.